RESUMEN: El presente artículo tiene como objetivo el estudio monográfico de una de las principales sodalitates o asociaciones que jugaron un rol importante en el Norte de África: los Telegenii. By analysing the trade networks and the subsequent challenges faced by other cultures that imported exotic beasts it is possible to make further comment on how the Roman beast trade network functioned. The best recorded example of a multi-regional network of trade in exotic beasts being transported either over land or by ship is the nineteenth century hunter companies of London, Liverpool, and Hamburg. This discussion will analyse not only other contemporary empire-wide trade networks, like the grain and slave trades, but also those of other cultures which imported exotic animals. This paper proposes the use of comparative techniques in order to make comment on how these corporations captured, transported, trained, and traded their animals for public spectacles. Evidence such as the Magerius mosaic or the North African beast catalogue mosaics give insight into aspects of the beast trade, but hardly a complete picture. But little is known about the ways in which they functioned. There remain several mentions of ‘hunter corporations’ such as the Telegenii who provided trained beasts and bestiarii for these local games, suggesting that there was an established network of traders who provided these services during the Roman Imperial period. Much of the evidence regarding the organisation and infrastructure of the animal trade is purely from the benefactor’s perspective. The exotic beast trade for public spectacle in the provinces is fraught with gaps in the historical record concerning its organisation and infrastructure. Of course, this hypothesis implies accepting that the tool had continued in use in the Iberian peninsula for that same function from the times of the Romans until the sixteenth century, which seems likely, since bull fights and the breeding of bulls have been activities uninterrupted in the Iberian peninsula since the times of the Romans (as attested by evidence).

I base this hypothesis on the fact that that same tool was still used in sixteenth-century Spain for that task. Here I propose that the tool might indeed be a weapon for fighting animals, especially bulls, during the venationes, its precise function being to cut the hamstring tendon of one of the hind legs of the animal. A few suggest it could be a weapon for fighting the animals (bulls) that appear nearby.

Others try to deduce what its function was, and propose it might be a symbol (of a corporation of venatores or of a god). Some of them make no comment at all about it when discussing those mosaics, limiting themselves to describing its shape. Perfect Wall Decorations Paintings for living room,kitchen,bed room,children's room,office, Hotel, Bar，restaurant or public place etc,also can be a gift or collection，Due to different brand of monitors, actual wall art colors may be slightly different from the product image.Three Roman mosaics show a tool (a staff ending in a crescent) that has always been a mystery for researchers.Brand New， Highest quality canvas material waterproof and sunproof, durable and non-toxic.High Quality Glossy Canvas with long lasting durability Printed at high resolution using the latest state of the art colour technology ensures sharp & vivid images every time.You Get The Highest Quality, Vibrant, Accurate Colours! GUARANTEED to brighten up your home and walls！.Note：Not Include Frame, No Frame,Just Canvas. A perfect Christmas and New Year gifts for your relatives and friends. PREMIUM QUALITY - HD canvas print art work, picture photo printed on high quality canvas.

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